Wednesday, March 24, 2010
Monday, February 22, 2010
Caribou - Odessa Video
Caribou - Odessa from video marsh on Vimeo.
Hmmm.... Caribou album details hereSunday, February 21, 2010
Wednesday, February 17, 2010
Monday, February 15, 2010
Sasquatch 2010 - Official Lineup
It's official! The Sasquatch Music Festival lineup for 2010 in Quincy, Washington at the Gorge Amphitheater. Artist will include:
Pavement, My Morning Jacket, Massive Attack, Ween, Vampire Weekend, MGMT, Band of Horses, The National, LCD Soundsystem, Tegan & Sara, Broken Social Scene, Passion Pit, Deadmau5, She & Him, Public Enemy, Nada Surf, The New Pornographers, The Hold Steady, The xx, Dirty Projectors, OK Go, Drive By Truckers, Kid Cudi, The Long Winters, Minus the Bear, The Mountain Goats, Quasi, Camera Obscura, Fruit Bats, Brother Ali, Midlake, Dr. Dog, Caribou, Simian Mobile Disco, City & Colour, No Age, The Temper Trap,Vetiver, Miike Snow, Portugal. The Man, Telekinesis, Mayer Hawthorne, Why?, Girls, Edward Sharpe & The Magnetic Zeros, Wale, The Lonely Forest, Japandroids, Boys Noize, YACHT, Freelance Whales, Laura Marling, Patrick Watson, Past Lives, Cymbals Eat Guitars, The Low Anthem, The Very Best/Phantogram, Neon Indian, Nurses, The Tallest Man on Earth, Fresh Espresso, Mumford & Sons, Jets Overhead, tUnE-YarD, Shabazz Palace, Fool’s Gold, Morning Teleportation, Z-Trip, Dam-Funk, Hudson Mohawke, The Middle East, Local Natives, Avi Buffalo, Booka Shade, A-Trak, Yes Giantess, Craig Robinson, Rob Riggle, Garfunkel & Oates, Luke Burbank
I got my ticket. Did you?
Pavement, My Morning Jacket, Massive Attack, Ween, Vampire Weekend, MGMT, Band of Horses, The National, LCD Soundsystem, Tegan & Sara, Broken Social Scene, Passion Pit, Deadmau5, She & Him, Public Enemy, Nada Surf, The New Pornographers, The Hold Steady, The xx, Dirty Projectors, OK Go, Drive By Truckers, Kid Cudi, The Long Winters, Minus the Bear, The Mountain Goats, Quasi, Camera Obscura, Fruit Bats, Brother Ali, Midlake, Dr. Dog, Caribou, Simian Mobile Disco, City & Colour, No Age, The Temper Trap,Vetiver, Miike Snow, Portugal. The Man, Telekinesis, Mayer Hawthorne, Why?, Girls, Edward Sharpe & The Magnetic Zeros, Wale, The Lonely Forest, Japandroids, Boys Noize, YACHT, Freelance Whales, Laura Marling, Patrick Watson, Past Lives, Cymbals Eat Guitars, The Low Anthem, The Very Best/Phantogram, Neon Indian, Nurses, The Tallest Man on Earth, Fresh Espresso, Mumford & Sons, Jets Overhead, tUnE-YarD, Shabazz Palace, Fool’s Gold, Morning Teleportation, Z-Trip, Dam-Funk, Hudson Mohawke, The Middle East, Local Natives, Avi Buffalo, Booka Shade, A-Trak, Yes Giantess, Craig Robinson, Rob Riggle, Garfunkel & Oates, Luke Burbank
I got my ticket. Did you?
Last week, we listened to some tunes. Vol. 4
Local Natives have some really good tunes.
Really diggin' Small Back. Too bad they only have an EP and a couple of 7"s out.
Dosh. Enough said.
Really diggin' Small Back. Too bad they only have an EP and a couple of 7"s out.
Dosh. Enough said.
Labels:
Beach House,
DOSH,
Local Natives,
Music Monday,
Nosaj Thing,
Small Black,
Spoon,
The Notwist,
Toro Y Moi
Sunday, February 14, 2010
Vinyl Sunday
Les McCann - Invitation To Openness - 1972, Water Records
Read the Dusted review here
This weeks submission to http://vinylsunday.tumblr.com/
Read the Dusted review here
This weeks submission to http://vinylsunday.tumblr.com/
Labels:
Invitation to Openness,
Les McCann,
vinyl sunday,
Water,
Yusef Latee
Saturday, February 13, 2010
Spoon - Trouble Comes Running
It's stupid crazy how many times I've listened to this track off Transference in the last few days. Enjoy.
Small Black - Despicable Dogs
Small Black: Despicable Dogs from Yoonha Park on Vimeo.
Here's a weekend jammer for ya..7" Available here
Tuesday, February 9, 2010
No Age do Daytrotter
Check out the latest over on Daytrotter. No Age playing three brand new tracks! Hard Trash flips the samples used on You're a Target with great results, sounding very reminiscent of the multi-track-bleeding-theme of Weirdo Rippers. The new album from these guys due sometime in 2010. Can't wait.
UPDATE:
Straight from the No Age blog:
UPDATE:
Straight from the No Age blog:
Randy and I turned into weird 11 year old cartoon characters for Daytrotter and recorded a couple songs. HERE is the link to the 3 songs we did. Also, we are in the studio as i write this finishing up bits and pieces of our new LP. YYYYYYYYYYEAH! I should get back to workNice! Looks like a Nouns follow up may be closer than we think!
Monday, February 8, 2010
Last week, we listened to some tunes Vol. 3
Listened to a lot of vinyl this week. So the digital plays were pretty slim..
Discovered the genius that is Climax Golden Twins
This Dosh track got a lot of play. This one too..
Where's Stoney got some play
Discovered the genius that is Climax Golden Twins
This Dosh track got a lot of play. This one too..
Where's Stoney got some play
Labels:
Climax Gold Twins,
Cocteau Twins,
DOSH,
Four tet,
Music Monday,
RJD2,
Scout Niblett,
Stones Throw
Sunday, February 7, 2010
Saturday, February 6, 2010
Podcast of the Week
Stones Throw Podcast #55 Where's Stoney?
DJs House Shoes & J.Rocc mix Strong Arm Steady & Madlib.
Free download here
Strong Arm Steady In Search of Stoney Jackson. out now.
DJs House Shoes & J.Rocc mix Strong Arm Steady & Madlib.
Free download here
Strong Arm Steady In Search of Stoney Jackson. out now.
Labels:
House Shoes,
Jrocc,
Madlib,
Stones Throw,
Strong Arm Steady
Wednesday, February 3, 2010
Last week, we listened to some tunes Vol. 2
Couple days late for #MM but were on vacation. Give us a damn break...
Diggin' on that WU/Beatles collabo
The Birthquake dudes got some good jams
Still back Animal Collective fully, But ODDSAC is another story...
Been down with Four Tet. Still down with Four Tet.
Diggin' on that WU/Beatles collabo
The Birthquake dudes got some good jams
Still back Animal Collective fully, But ODDSAC is another story...
Been down with Four Tet. Still down with Four Tet.
Labels:
Animal Collective,
Birthquake,
Four tet,
Music Monday,
Music Wednesday?,
ODDSAC,
The Beatles,
Wu Tang
Friday, January 29, 2010
Four Tet - There is love in you
Thursday, January 28, 2010
DOSH - Subtractions
Wednesday, January 27, 2010
ODDSAC...at Sundance - REVIEW
Rarely does a new filmmaker have a built-in audience. An audience so rabid yet loyal, they would venture to a venue teeming with puffy coats, Uggs, and D-list celebrity to see a project connected to one of, as the purple-velvet-sport-coated announcer put it last night, "the hottest" bands today. Yes, I'm talking about the Sundance Film Festival.
Director Danny Perez lucked out. As a roadie for the Black Dice, an oft favorite opener for the aforementioned "hot" Animal Collective, he became friends with the Collective and together embarked on a four-year long process of collaboration to create ODDSAC. Luck seems to cut both ways: Perez pairing with Animal Collective clearly got his first film a world premiere at Sundance, but when not backed by the sometimes brilliant soundtrack created by the band, the movie comes off as a disjointed film school project.
The movie opened with a young woman pacing a room with fire dancers visibly outside the window, she is then occupied by black tar oozing out of a crack in the wall of the room. Perez should have saved this montage for the end, since it was the strongest and most beautiful of the film and it proved to be a tough act to follow.
Unfortunately, it was all down hill from there. Heavily influenced by Matthew Barney of the Cremaster Cycle, the audience was forced into a disjointed journey that included a sad vampire, marshmallows eating a family, a food fight with a glittered man (straight from the Barney playbook), and a midnight canoe ride, to mention a few. The bright points in the film were strictly auditory. The first line from Panda Bear's honeyed voice had audience members unclenching their armrests and settling back in their seats to listen to why he wishes he "wouldn't feel so drained, if he could only keep his hands away." Beautiful and pared down, this song was an oasis of calm after what seemed like an eternity of stylized TV snow and feedback.
It was clear who had filled the seats of Prospector Square Theatre. The Q and A was directed mostly at Deacon, the Geologist, and Avey Tare (Panda Bear was sadly absent), while Danny Perez nervously swayed side-to-side. Questions about the collaborative process, where the band would be playing after the screening, and favorite films dominated over technical questions regarding ODDSAC. When one audience member directed a question at Perez in regards to the editing process and what tools he used, he answered candidly that you need, "...black curtains to block out the light and your girlfriend...leaves for the day and you spend five hours on YouTube..." Bless this lucky schmuck's heart.
A part of me realizes that Danny Perez didn't expect his film to be graced by a world premiere at Sundance. This film would have fit better at Tromadance or Slamdance. Had the film been cut into shorts and peddled as music videos, it would have been easier to handle. Understanding that when this process began, Animal Collective had yet to create their more accessible albums Strawberry Jam and Merriweather Post Pavilion. This seems a better explanation for the "tweaked," less "songy" soundtrack, as explained by Avey Tare.
When questioned about the meaning or plot of the film, Perez wanted to "leave it to you" to figure out what it means. I think he may not have known, either.
Director Danny Perez lucked out. As a roadie for the Black Dice, an oft favorite opener for the aforementioned "hot" Animal Collective, he became friends with the Collective and together embarked on a four-year long process of collaboration to create ODDSAC. Luck seems to cut both ways: Perez pairing with Animal Collective clearly got his first film a world premiere at Sundance, but when not backed by the sometimes brilliant soundtrack created by the band, the movie comes off as a disjointed film school project.
The movie opened with a young woman pacing a room with fire dancers visibly outside the window, she is then occupied by black tar oozing out of a crack in the wall of the room. Perez should have saved this montage for the end, since it was the strongest and most beautiful of the film and it proved to be a tough act to follow.
Unfortunately, it was all down hill from there. Heavily influenced by Matthew Barney of the Cremaster Cycle, the audience was forced into a disjointed journey that included a sad vampire, marshmallows eating a family, a food fight with a glittered man (straight from the Barney playbook), and a midnight canoe ride, to mention a few. The bright points in the film were strictly auditory. The first line from Panda Bear's honeyed voice had audience members unclenching their armrests and settling back in their seats to listen to why he wishes he "wouldn't feel so drained, if he could only keep his hands away." Beautiful and pared down, this song was an oasis of calm after what seemed like an eternity of stylized TV snow and feedback.
It was clear who had filled the seats of Prospector Square Theatre. The Q and A was directed mostly at Deacon, the Geologist, and Avey Tare (Panda Bear was sadly absent), while Danny Perez nervously swayed side-to-side. Questions about the collaborative process, where the band would be playing after the screening, and favorite films dominated over technical questions regarding ODDSAC. When one audience member directed a question at Perez in regards to the editing process and what tools he used, he answered candidly that you need, "...black curtains to block out the light and your girlfriend...leaves for the day and you spend five hours on YouTube..." Bless this lucky schmuck's heart.
A part of me realizes that Danny Perez didn't expect his film to be graced by a world premiere at Sundance. This film would have fit better at Tromadance or Slamdance. Had the film been cut into shorts and peddled as music videos, it would have been easier to handle. Understanding that when this process began, Animal Collective had yet to create their more accessible albums Strawberry Jam and Merriweather Post Pavilion. This seems a better explanation for the "tweaked," less "songy" soundtrack, as explained by Avey Tare.
When questioned about the meaning or plot of the film, Perez wanted to "leave it to you" to figure out what it means. I think he may not have known, either.
Labels:
2010,
Animal Collective,
Avey Tare,
Brian Weitz,
Danny Perez,
David Portner,
Deakin,
Film Review,
Geologist,
Josh Dibb,
Noah Lennox,
ODDSAC,
Panda Bear,
Sundance
Tuesday, January 26, 2010
Caribou - Odessa
Monday, January 25, 2010
Last week, we listened to some tunes Vol. 1
Monday, January 18, 2010
Saturday, January 9, 2010
Thursday, January 7, 2010
Atlas Sound - Untitled
Say what you will about the fork but this Surveillance series is coming correct with some jams.
Bradford Cox has gone and done it again with this beautiful looped out piece. Check it out
(via P4K)
Wednesday, January 6, 2010
The Knife - Colouring of Pigeons
Lets get nuts for a few minutes...
In Collaboration with Mt. Sims and Planningtorock
Colouring of Pigeons by The Knife
Grab the MP3 over here
In Collaboration with Mt. Sims and Planningtorock
Colouring of Pigeons by The Knife
Grab the MP3 over here
Labels:
Coulouring the Pigeons,
Mt. Sims,
Planningtorock,
The Knife
Monday, January 4, 2010
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